Tag - photography

Go See “Machisma”

File this one under “Paul attempts to review an art show”:

Karen Renee Robb and Nina Covington

Karen Renee Robb, one of the subjects of “Machisma”  and Nina Covington, the photographer/artist who created the exhibit.

I want to encourage all my readers (well, those that live in or near Nashville) to hasten themselves down to The Arcade in downtown Nashville [Google Maps]. On the ground floor, next door to Manny’s Pizza (best place in Nashville for real New York street-style pizza) you’ll find Corvidae Collective Gallery.  Climb the stairs, go around the corner, and behold Nina Covington’s marvelous photo exhibit, “Machisma.”

What you will see is a stunning collection of black-and-white-on-metal prints of women Nina has photographed over the past two years.

I think “Machisma” is a word Nina coined herself.  I’m going to go out on  limb here and surmise that the term is a feminized version of the word that the spell-checker on my laptop keeps wanting to correct it to, the more familiar  “machismo.”

My dictionary defines “machismo” as “strong or aggressive masculine pride.”  I believe what Nina has captured in this riveting portrait series is the feminine equivalent, which is actually something very different.  Both genders can be “strong” but where the masculine version is “aggressive” the feminine version is more, “I’m not coming after you, but I’m not taking any of your shit, either.”

What Nina Covington has assembled over a period of two years is a series of black and white portraits of women from all walks of life, all of which show women at both their most vulnerable and their most powerful.

nina+3-notpixed

Nina Covington with three of the prints from “Machisma” – her mother, herself, and her grandmother. Photo © Kirabelle Frabotta

They all posed… I’m at a slight loss for words here, because to say the subjects are “topless”  engages all manner of pop-culture stereotypes and invokes a certain risqué and daring – which is not what these photographs are about.  So let’s just say that all the subjects, regardless of body type, have posed for Nina’s camera “without the burden of clothing” over their torsos.

And, perhaps a bit oddly in light of all those cultural stereotypes, that is precisely how/where the images derive their impressive power. “Machisma” captures the infinite variety of female body types apart from the hyper-sexualized, impossible-without-makeup-and-Photoshop “ideal” form.

Nina’s secret for capturing these compelling images?  I overheard her at the opening last Saturday (April 2)  telling a visitor, “I spent an hour with each subject just talking” before she even opened her camera bag or set any lights.

I have been learning in the course of my photo work that finding a rapport with your subject is infinitely more important than all the technical details like camera settings and light angles.  As a photographer myself I was duly impressed with the technical excellence of all these portraits, but I am even more impressed with the character that is captured in each image.

I’ve said enough.  Go see the photos, they do a much better job of speaking for themselves than I can do speaking for them. And better yet, take your daughters.

(If you’re not near Nashville or otherwise not able to see the show, click the banner below to see the images on the Corvidae Collective Gallery website:

machisma

Let There Be Art: Photos At Chromatics Gallery in Nashville

I still find it equal parts surprising and gratifying when somebody wants to hang one of my photos on a wall somewhere.  Especially when it’s in, like, you know… and actual art gallery.

The first photo I ever had displayed in a gallery was several years ago when Chromatics – Nashville’s pre-eminent photo-finishing lab – displayed one of theruined abbey photos I brought back from Ireland in 2006. How fitting that I should remember that on St. Patrick’s Day…

Right now, The Second Floor Gallery at Chromatics is hosting an exhibition of various media depictions of “Natural Reflections.”  I have not one but photos TWO hanging in the exhibit, which is open until June 26.

This one is called “Let There Be Light” and features my photo-muse, Pru Clearwater dancing with the sunset.

Schatzkin_LTBL_72dpi-DSC_3514-Edit-Edit-Edit

 

And this one is just called, well… “Balls.”

Portland, Oregon November 2011(Click the thumbnails  to ’embiggen.’)

The exhibition at Chromatics is open until June 26, if you’re in the neighborhood (Dury’s, Plaza Art Supply…) I hope you’ll stop by and check it out.

Scotland, Day 6:

OK, back to Scotland – to the Highlands around Inverness and Loch Ness.

Day 6 - Loch Ness & Urquhart Castle

Our chariot

We spent three nights at Castle Stuart near Inverness, with two full days in between.  The first day, we had arranged to be picked up on a three-passenger, three-wheeled motorcycle (a “trike”) for an extended tour down the coast of Loch Ness, which – apart from its renown as the haunt of a certain “monster” – is also the second largest inland body of water in Scotland.

The highlight of the tour was the hour-plus we spent exploring the ruins of Urquhart (they pronounce it “ur-kit” Castle, a massive 15th/16th century edifice that was destroyed by its own defenders rather than let it fall into the hands of  English occupiers.

Sticky Toffee Pudding

sticky = good

After the trike tour, we returned to the Castle Stuart, and then ventured out on our own to the village of Nairn, a few miles to the east, where we found ourselves a lovely little bistro that served what may have been the best sticky toffee pudding we had on the whole trip.  And we had a lot of ’em. Like… one every day.

Here’s a video slide show of the day. Find the individual photos here.

View the other video slideshows from our trip to Scotland here and the individual photo galleries here.