Category - Digest

Beth: It’s All About The Hat

After a too-long hiatus from that sort of thing, I did a model/portrait shoot a couple of weeks ago with the effervescent @BethLeannGobble. She first caught my eye when I noticed her at a gathering where she was wearing this hat. I liked the way it framed her face and managed to muster the gumption to ask her i I could photograph her. Conveniently, she needed some photos as much as I needed to shoot some, so it was a perfect “TFP” situation. Beth was great to work with and we got some cool shots, mostly using the natural light around her home in East Nashville. .

Tim Buckley: Morning Glory

For your Sunday listening pleasure:

I started thinking of this song yesterday after Stacy Widelitz posted a link to the first Blood Sweat & Tears album, “Child is Father to the Man” as his first entry in that “10 most influential albums” thing that seems to be making the rounds lately…
 
I thought of this song because that album was one of the few (only?) albums that delivered a cover of a Tim Buckley song, “Morning Glory.” I think the only other time Tim Buckley made it into “pop” culture was when the song “Once I Was” played near the end for the Vietnam War film “Coming Home” with Bruce Dern, John Voight and Jane Fonda.  I’ll share that clip at the end for this post. 
I started thinking about “Morning Glory” because there is something about it’s soothing, plaintive tone that just seems like a necessary antidote to the tone of these tumultuous times (personally and generally).
So this morning as I was driving into work I asked Siri to “Play ‘Morning Glory’ by Tim Buckley.’
I was a little miffed at first when Apple Music pulled up this live version of the song, its algorithms apparently confusing it with the studio recording from Buckley’s breakthrough 1967 album “Goodbye and Hello.” But as I listened to it, I was grateful for the cross reference.
For starters, this live performance demonstrates the pure, brilliant clarity in Tim Buckley’s vocals even more than the studio version.  I like the instrumentation too: the elaborate piano, strings and vocal chorus of the studio version on “Goodbye and Hello” is replaced here by Buckley’s Guild 12-string, and the simple bass,  vibes and electric guitar that Buckley drew on for what I consider his best record, 1968’s “Happy Sad.”
So there ya go.  I gotta get this posted and get to the store…
 
And here is “Once I Was” from “Coming Home,” released in 1978 – 4 years after Tim Buckley’s untimely demise, from an overdose at the tender age of 28 in 1974 (yes, the same age that his son, Jeff Buckley, died at in 1997). 

Trauma, Nostalgia and Closure 

I went back to Rumson for a few hours last week…. 

Rumson is the town near the Jersey Shore where I was a kid.  My family lived there from 1950 until 1962 – from age 0 to age 11. My childhood, pretty much. 

Over the decades since, I’ve gone back there several times.  In the fall of 1984 I went back for  two whole weeks.  I owned a house in Hawaii at the time, and could have arranged a ‘vacation home exchange’ anywhere in the world.  I could have gone to England or France; I chose instead to spend two weeks in New Jersey.  But even that was not enough to heal the psychic wounds inflicted by the way I’d left 22 years earlier. 

Prior to this most recent visit, the last time I was there was in 2002, when my sister and my brother and his wife and a couple of their kids and I granted our mother’s final wish and spread her ashes around the town where she’d spent the happiest years of her life – before our father’s untimely demise in 1958. 

Today I am publishing a pair of companion pieces that explore my departure from Rumson in 1962 – and why I keep going back:

The Summer of ’62 is about the move.  It’s a piece that I wrote as part of a memoir writing class I took in March of this year.  

Return to Brigadoon is about one of those return visits in the summer of 1969; it’s based on a poem I found when I re-opened the journals I kept during my last year of high school and first year in college. 

I’m posting these now as part of an attempt to find meaningful closure around some of what my new therapist calls “early childhood trauma.” 

For the past 8 months, I have been working with Lee Norton, a therapist in Nashville who specializes in the full spectrum of trauma, from assault-rifle-massacre-survival to the sort of catastrophic early losses like I suffered when Harvey died.  I’ve been in-and-out of therapy since I was in the third grade but this feels like the most productive therapeutic work I’ve ever done.  Please don’t ask me why it took so long.

I’m not sure what the outcome of this current course is supposed to be. My 67-year-old-self has been spending a lot of time with my 7-year-old self, who, it seems, went into hiding about the time his father died.  The kid and I are  still deliberating over who liberates who.

And while I’ve been doing that work, I’ve been spending some (but not nearly enough) time rummaging through my father’s writing and the correspondence he and my mother exchanged during World War II.  There seems to be a connection. 

I know what some of you are thinking: Why doesn’t he just get over it?  His father died, the family moved, yada yada. It was 60 years ago.  Move along… 

I’ve even heard the word “indulgent” to describe these nostalgic disquisitions. 

Yes, I am deeply conflicted about the whole proposition.  On the one hand, it feels like necessary and unfinished work, despite the half-dozen decades between me and the events I keep returning to.  On the other hand, at times the whole exercise seems like an excuse for not moving on to more constructive pursuits. 

All of this came up in a session I had with Lee Norton shortly after this last visit to my point of origin. After wondering why am the only one of three siblings that continues to be affected by these long ago events, Lee offered:

One kid tends to get hit more than the others. Regardless of what the catastrophic loss was, the usual defense mechanisms are overwhelmed.  It’s a very physiological process.  The brain doesn’t have anywhere to put it, so it accumulates and sequesters in the right hemisphere which has no sense of time.  

The brain always wants one linear, explicit storyline that it can then put away.  Until you look into a catastrophic event and do something …. the brain does not recognize it as finished and when it’s not finished then all these unconscious processes kick in and we recapitulate. We’ll have relationship or job dilemmas; it’ll show up in lots of different ways – financially, self medication (umm…that would be me). The goal is you have to get it finished... 

So I am, once again trying to get it finished.

For you, reading these things is optional.  For me, apparently, writing them is not. 

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A 180º panorama of Monmouth Avenue. It was a great neighborhood for kids and bicycles.
No helmets required.

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More From Harvey:
The 1956 Medical Trilogy, Part 3

In which the hint of a diagnosis is finally revealed in a letter written to Harvey and Ellen’s friends Renee and Jules Gordon during his visit to the Mayo Clinic:

 

December 8, 1956

 Dear Renée and Jules,

 I am now some 150 pages into the Civil War and enjoying it fine. It’s a very exciting business, and I wonder how it comes out. The book is swell. Many thanks. I tried to reach you Monday night before I left but gave up after a half hour or so of busy signals. No perseverance.

 It’s cold out here, but ideal for winter sports such as sleeping, and sitting around fires drinking hot toddies. I may very well settle for sitting around a nice, roaring radiator drinking scotch. Of course it’s that pleasant, dry cold that they have in Minnesota, so you don’t really notice it or mind it so much. It’s just that I wish those damn penguins would quit waddling up and down my windowsill.

 The clinic itself is a real swell place, full of jolly old doctors, nurses, technicians, clerks and the like. There’s plenty to do, which makes it  so different from a lot of these winter lodges that offer nothing but skiing and ice-skating. Although so far I haven’t picked up any gold medals, (after all I’m a relative newcomer) I’ve done very well in the following: The Hundred Meter Needle Toss, Blood Polo, The Urine Put, and the Freestyle Rectal Dash. My coach is very proud of me.

 I keep seeing the doctor from time to time, but so far he has had nothing much to tell me. By Monday the results of all the tests should be tabulated, and I expect to have a conference with him and learn the answer to this whole business – whether I am really Jewish or not.

 Well, that’s about all for now. I want to go back to my book and find out if Grant really does win the damn thing after all.

 Look to you both,

 Harvey

 P. S. If you want to start making a line of mouton-aligned ankle straps and wedgies, I think you have a real market for them out here.